Hayley Martine Music Supervisor
Music Supervision and consultancy services for television, advertising and film based in London, UK.
Work with me.
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I handle all aspects of music licensing, from researching rights holders and negotiating fees to securing approvals and executing agreements.
Whether it's a straightforward clearance or something more complex, I find solutions that work creatively, commercially and within budget.
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I work with a network of composers, artists and producers to create original music for television, film, advertising and branded content.
From finding the right talent and developing the creative brief to overseeing production and final delivery, I manage the entire process to make sure the music fits the project.
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I work with brands and productions to develop music strategies that connect with their audience and bring creative ideas to life.
From discovering emerging artists and hidden gems to finding new ways to use iconic tracks, I look beyond the initial sync to explore how music can create a cultural moment and have a life of its own.
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I work with brands, agencies and creative teams to help them better understand music licensing across digital platforms, social media and branded content.
Through tailored workshops, training and consultancy, I cover everything from music rights and platform restrictions to creator partnerships, licensing options and best practices. I also help teams review their existing processes and develop practical approaches to using music confidently and effectively.
Hello!
I'm a Music Supervisor and Licensing Consultant with over a decade of experience across television, film, advertising and branded content.
Having worked with ITV Studios, TikTok and a range of global brands and production companies, I bring together the creative and commercial sides of music, from music strategy and creative supervision to licensing, original commissions and consultancy.
Recent projects include the RAYE x Mark Ronson campaign for Audemars Piguet and the latest series of Love Island.
I'm particularly interested in how music can connect with audiences, shape a project's identity and have a life beyond the initial sync.
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